Rugaaya

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Construction
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Pile detail of a Persian-knotted rug

Knot density is the honest measure of a hand-knotted rug. We quote it on every piece rather than describing the rug as “fine”.

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Materials

Nine fibres, and where each one fails.

Every fibre behaves differently underfoot and under light. We would rather tell you where one is the wrong choice than sell you the wrong rug.

01

New Zealand wool

Romney & crossbred sheep · New Zealand

The resilient ground

Resilience
Long, springy staple that recovers from compression better than any other ground wool
Whiteness
Naturally pale, so it dyes to a clean, true colour without a grey cast
Traffic
The default choice for living rooms, halls and anywhere with real footfall
Use
Our standard ground for hand-knotted and hand-tufted work

02

Mohair

Angora goat · South Africa

The diamond fibre

Lustre
Rich, reflective finish — the reason it is called the diamond fibre
Durability
Highly resistant to stretching, crushing and wear
Dust
Smooth fibres resist dirt retention
Colour
Exceptional dye absorption, producing vivid definition

03

Merino wool

Merino sheep · Australia & New Zealand

Dense and fire resistant

Recovery
Excellent elasticity under heavy furniture and foot traffic
Insulation
Dense and comfortable underfoot
Resistance
Natural oil content resists water and staining
Fire
Naturally flame resistant due to high moisture content

04

Alpaca

Alpaca · Andes, South America

Weightless, lanolin free

Lanolin
Naturally lanolin-free
Warmth
Hollow fibres retain and release heat efficiently
Weight
Lightweight for the warmth it gives
Hand
Silky, fluid surface finish

05

Silk

Mulberry silk

Finest drawing, low traffic

Light
Shifts colour with the angle you view it from
Detail
Holds the finest drawing of any fibre we use
Traffic
Best specified for low-traffic rooms
Blend
Often run with wool so the wool carries the structure

06

Bamboo silk

Regenerated bamboo cellulose

Silk lustre, wool durability

Sheen
High lustre close to mulberry silk
Hand
Cool and fluid underfoot
Use
Usually blended with wool for resilience
Colour
Takes saturated dye especially well

07

Art silk

Viscose-based filament

Sheen for accent work

Sheen
Bright reflective finish at lower cost than silk
Use
Accent and pattern work rather than whole grounds
Traffic
Low traffic and dry rooms only
Blend
Blended with wool in most of our constructions

08

Hand-spun wool

Hand-spun in India

Irregular, and better for it

Character
Slight irregularity in the yarn — the depth in an antique-washed rug
Strength
Long staple, spun for durability
Colour
Absorbs dye unevenly in a way that reads as depth, not fault
Use
Our default ground for traditional and folk drawing

09

Recycled PET

Recycled polyester

Hard-wearing, flatweave

Durability
Hard-wearing and colourfast
Use
Handloom and flatweave constructions
Care
Tolerates far more cleaning than a natural fibre
Origin
Made from post-consumer plastic

Blends are the norm.

Most of our rugs run wool for structure with silk or bamboo silk carrying the drawing. We will tell you which blend suits the room, the traffic and the budget.